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King Diamond - The Puppet
Master
2003 Metal Blade
by Horatio

Quick Summary:
There's a familiar saying that goes 'once
you've heard one you've heard them all'. This phrase was designed for King
Diamond. The King seems to record a new album every year, and this
prolific output is also his demise. 'The Puppet Master' is the
same album as 'Them' or 'Abigail' except with a different
storyline and heightened production levels. This time the King's
devised a plot which Metal Blade is doing their best to convince
people is genuinely frightening. It concerns some twat called
'Unfortunate Man' and his girlfriend Victoria who fall prey to a puppet
master and his wife who make human puppets out of the people they
murder. It's set in 18th century Budapest as if that's supposed to
give it atmosphere. The
only problem is that the plot's about as scary as an episode of Blues
Clues. And that's the outright truth. The King uses graphic
detail explaining how the Puppet Master mutilates his victims, in a vain
attempt at sensationalism. All it does is bore and this could be the
most tedious album I've heard in a good while. King has never made one
solo album that has reached the levels of any Mercyful Fate
recording, especially 'Melissa' or even '9'. Why he puts
Fate on the backburner for this is a mystery in itself. The
whole package is redundant, King's high pitched vocals and harmonies, the
repetitive guitar work, the whole demonic presence. How many more
times? I severely doubt in fifteen years time anyone's going to be
saying 'remember 'The Puppet Master'? Man that was an early
00's classic wasn't it?' Strictly for die hards, and even they must be
worn out by now.
Website: www.covenworldwide.org |
Track
Listing:
1. Midnight
2. The Puppet Master
3. Magic
4. Emerencia
5. Blue Eyes
6. The Ritual
7. No More Me
8. Blood To Walk
9. Darkness
10. So Sad
11. Christmas
12. Living Dead |
Line-Up:
Vocals: King
Diamond
Guitars: Andy Larocque, Mike Weed
Bass: Hal Patino
Drums: Matt Thompson
Keyboards: King Diamond
Cameo Vocals: Livia Zita |
Song Summaries:
- Midnight -
Short intro. C
- The Puppet Master - Think of any King
Diamond track from any point in his history and this is exactly
what it sounds like. D
- Magic - When I was at high school
there was a band whose name happened to be Magic. The
name was inexcusably unimaginative and gay. The vocalist even
asked me once if I thought it was a good name. I lied and said
yes so they could further humiliate themselves. Somehow they've
made a comeback on a King Diamond CD, worse than ever. D
- Emerencia - On the whole European
metal is very dull. The current glut of power metal acts
emerging from the continent clearly prove this. Once Mercyful
Fate rose above this. Maybe they still can. King
Diamond can't and this piece of tedium fits in with any power
metal nonsense like Thunderstone, Tad Morose or Symphorce,
bands I am ashamed to have listened to. Take those 'atmospheric'
synthesizers away someone. I loathe them more than Tesla.
D
- Blue Eyes - Eight tracks to
go...make that seven. F
- The Ritual - The riff attack at
the onset vaguely hints at Iron Maiden, almost a tenth rate 'Montsegur'.
It doesn't take long for matters to degenerate into the usual played
out KD elements, particularly that frequently unlistenable
wail. C-
- No More Me - I wonder if the King
thinks the plot he has contrived is a masterpiece. If he does
then so am I for creating the following lyric: 'The boys are
hitting the street tonight, maybe this time they gonna get it right,
the girls and booze flow, who cares about tomorrow.' D
- Blood To Work - Wouldn't it be
curious to see the King flirt with 80's style thrash? Maybe
thrash with 50's style saxophones in the mix? How about some
AOR? With song titles like 'Run With The Thunder', 'In
The Heartland' and 'Mixed Emotions'. It would be
something fresh. Maybe he could change his name to Chad Diamond
as well. D
- Darkness - Sheer terror abounds
as we learn of 'Unfortunate Man' sitting prone and barely lifeless on
a shelf opposite his girlfriend Victoria, also stricken. The
poor helpless bastards, all they have is each other. And the
Puppet Master decides to send Victoria to Berlin away from Unfortunate
Fag! No! D
- So Sad - So they've gone and done
it. Taken Victoria away. This calls for a ballad of sorts
with female vocals. Are we as the listener supposed to feel pain
and angst like Unfortunate Dude? This stinks like a garbage bag
with the contents of four wasted meals that have been left to sit for
a week and then taken outside, causing you to gag at the stench.
D
- Christmas - The best thing about
this album is the excerpt from 'The Little Drummer Boy'. 'Pa
rappa pum pum!' If they made a video for this it would have
King nude with a little drum while he bangs it in the snow chirping
along to that tune while the rest of the band attempts the Scorpion's
human pyramid in the background. D
- Living Dead - Last year I wrote a
scathing review of an awful album by James Byrd called 'Anthem'.
He wrote to my editor and demanded it be removed and rewritten.
My editor agreed the album sucked and touched it up slightly.
The album was bland and repeated itself. James Byrd must
understand that I don't get paid to write these reviews, so if I think
it's a piece of crap then that's what I'll write. Apply this to
'The Puppet Master' and you have my exact same thoughts minus
King Diamond e-mailing Shev, incensed at my comments. Total,
utter slop. F
Average Song Rating: D
Overall Album Rating: F
Also be sure to read:
King
Diamond - Abigail by Uncle
Meat
King
Diamond - Abigail II: The Revenge by
Uncle Meat
King
Diamond - The Puppet Master by Uncle
Meat
Mercyful
Fate - Don't Break The Oath by
Uncle Meat
Mercyful
Fate - In The Shadows by Uncle Meat
Mercyful
Fate - The Beginning by Uncle
Meat
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