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Hammerfall - Crimson Thunder
2002 Nuclear Blast
Hammerfall - Crimson Thunder

Track Listing:
1. 
Riders Of The Storm
2.  Hearts On Fire
3.  On The Edge Of Honour
4.  Crimson Thunder
5.  Lord Of The Arcane
6.  Trailblazers
7.  Dreams Come True
8.  Angel Of Mercy
9.  The Unforgiving Blade
10. In Memoriam
11. Hero's Return
12. Bonus Track 

Line-Up:
Vocals:  Joacim Cans
Guitars:  Oscar Dronjak, Stefan Elmgren
Bass:  Magnus Rosen
Drums
Anders Johansson

Website:  www.hammerfall.net

Horatio's Rating:  C-
Average Album Rating:  C-

Also be sure to read:
Hammerfall - Chapter V:  Unbent, Unbowed, Unbroken by Horatio

Horatio's Review:
Remember the 1998-2000 period when Hammerfall were touted as the next big thing in metal?  I vaguely do, but it's becoming a blur with every passing year.  Hammerfall's first two albums 'Glory To The Brave' and 'Legacy Of Kings' had traditional metal enthusiasts in delerium as they sensed the return of old fashioned metal once pioneered by the stale likes of Maiden, Priest and Manowar.  I admit to staying up late one evening listening to a now defunct metal show on the promise of a track from the band to see if they met expectations.  They didn't and it appears the band is in freefall, and rightly so, realistically nothing more than another boring European act indistinguishable from hundreds of others.

2000's 'Renegade' wasn't the breakout hit expected and for 'Crimson Thunder' it was back to the drawing board I assume.  It didn't matter as this sounds exactly like the three previous albums, proving the lack of depth in songwriting and musical abilities.  What is it about Euro metal I despise?  The amateurish vocals which struggle with English?  The worn out riffs and uniform backing harmonies?  The token ballads?  The obligatory fast tracks and forced true metal posturing?  Am I describing Helloween?  Or ThunderstoneTad MoroseSymphorce?  That said 'Heart's On Fire' contains a melodic chorus while 'On The Edge Of Honour' is decent rapid fire metal.  But that's it.  There's no need for tired ballads like 'Dreams Come True', with it's acoustic nature and a track titled 'The Unforgiving Blade' even with it's vintage title going nowhere, meandering at half speed.  Yes, Hammerfall stick to their metal ideals, but in a way that is insufferable.  It's phony, contrived.  Trying too hard to convince the audience they're staunch idealists, much like that turkey Boetz.  If this doesn't have you asleep by 'Trailblazers' you may be a sick man.

Song summaries include...

  1. Riders Of The Storm - If Hammerfall had arrived in the 1995 to '96 years I suspect I would have welcomed them more openly than I do.  But even when compared to 'Fear Of The Dark' Maiden this is weak.  One element I tire of is the massive backing chants during the main hook, much in the way Accept did on their best albums.  Melodically this sounds like seven hundred other songs I've heard.  C
  2. Hearts On Fire - If this had been a cover of the John Cafferty track from the Rocky IV soundtrack we may have been in business.  But it's a deliberate attempt at 80's metal anyway, with the 'fire-desire' combo.  I think Hammerfall do this on purpose.  When a band like Kiss used that word combo fifty times it was was a true indication of how they wrote songs.  Hammerfall in all their metal worship of the legends probably thought it would be cool to use that rhyme so they could sit alongside their idols.  They did it knowingly. 'Hey look at us, metal renegades with no regard for anything except 80's themes and beliefs.'  B
  3. On The Edge Of Honour - Starts out promisingly, very fast with acceptable riffs, but deteriorates when the horrific vocals kick in, as well as the power metal chorus which I can't stomach.  Last year I was sent dozens of Euro power metal CDs, all of which I listened to once, reviewed and discarded immediately.  That scene has to be one of the most bland since grunge's heyday.  'But wait man, it's metal, are you turning your back on it?'  Yeah I am.  I usually do with unlistenable crap.  B
  4. Crimson Thunder - Hopefully there's no one reading this hoping for an in depth discussion of the band's lineup and their various changes over the years.  I couldn't tell you who's currently in the band and does it matter?  The new album will sound like this even if the band is an all star lineup of Chris Barnes, Dennis Stratton, Ian Hill and Simon Wright.  This track is a rip off of Sabbath's 'Sign Of The Southern Cross' and one section is a replica of the Crüe's 'Shout At The Devil'.  D
  5. Lord Of The Arcane - Hackneyed instrumental with symphonic metal backing, a true Manowar clone.  D-
  6. Trailblazers - Wow this is what I call metal!  Fast with tremendous lyrics like 'we wont surrender, we will carry on!', it's a stunning as modern day metal gets, the sound of Maiden revisited!  It's too good to be true isn't it?  And they said metal was dead!  F
  7. Dreams Come True - This album is already a wash out, so why not top it off with a sensitive ballad?  Are they trying to show they're not one dimensional?  'We're not all about metal, we have a soft side, look we don't want to be classified exclusively as Priest copyists.  We're branching out'.  I hate this album and this band.  F
  8. Angel Of Mercy - How about an obscure cover of an old, forgotten Chastain track from 1986's 'Ruler Of The Wasteland'?  It must have been a weak original if this dreary bollocks is anything to go by.  This was included to stun metal fans just how deep Hammerfall's extensive knowledge of metal goes.  All it sounds like is modern day Maiden, and far worse.  D
  9. The Unforgiving Blade - How about the unforgiving media who have forgotten this band exists?  A song so unoriginal it took perhaps an hour to conjure up.  Who listens to and worships this bunch of frauds?  Suddenly the NWOBHM seems appetizing.  D
  10. In Memoriam - More uplifting ballad tripe, this time an instrumental and a eulogy to the bands career.  F
  11. Hero's Return - Steve Harris has taken the band to court for defamation as you read.  F
  12. Bonus Track - I have no idea of the title, but yet another faceless burn up with no identity and almost as if Europe or Malmsteen added a track of their own.  C

Horatio's Rating:  C-