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Boetz - Call To Arms
2001 Balls Out Records
Boetz - Call To Arms

Track Listing:
1.  Call To Arms
2.  Greenback Crack
3.  Weak At The Knees
4.  Rock 'N' Roll Is Good
5.  Shinin'
6.  Getting Over You
7.  Oh Boy
8.  Don't Mean A Thing
9.  Wish
10. Almost To Scotland

Line-Up:
Vocals:  Earnest Robert Boetz
Guitar:  Earnest Robert Boetz
Bass:  Earnest Robert Boetz
Drums:  Earnest Robert Boetz, Tim Golden, Sean Rourke
Guest Vocals:  Lemmy

Website:  www.boetz.com

Horatio's Rating:  F
Average Album Rating:  F

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Motörhead - What's Words Worth? by Shev (Lemmy)

Horatio's Review:
"Who is Boetz?" I hear a lone reader ask himself.  Boetz is a wildman.  A rock and roll madman who makes Nugent look sane.  A rocker so extreme in his beliefs that Manowar look tame by comparison.  Boetz is rock and roll.  I had no idea who he was myself until a cursory check of his website just a few minutes ago.  This CD was sent to me unexpectedly, as a joke I assume.  Boetz shuns all popular culture, instead ploughing the same direction as his self proclaimed heroes Chunk Berry and AC/DCBoetz also happens to be an accomplished painter, although I'm sure nobody cares about that.  I'd be behind Boetz's cause unless his music wasn't so weak.  With the backing of powerhouse label Balls Out Records, Boetz plunders his way through some clichéd old nonsense with riffs more akin to The Cult than AC/DC, an unforgivable crime.

Boetz's bio reads like a sick joke.  'His music remains a straight forward, bluesy hard rock sound that moves like a freight train down the track of humanity'.  Even I would be ashamed to have written that.  'With ballsy emotional lyrics soulfully soaring over gritty roaring guitars, his music is often compared to 70's era bands like Bad Company, Aerosmith and AC/DC'.  Often compared?  By who?  That line would indicate Boetz is mainstream and dissected regularly by the rock press.  If Boetz managed to copy these artists I might be less interested in skipping tracks.  The guy is trying with all his might to be an over the top rock figure, but fails worse than Cherone-era Van Halen.  He attempts ludicrous lyrics (I'm the one to save your soul, favourite son of rock and roll), but lacks genuine musical power.  This ham should have spent more time listening to 'Powerage' and 'Flick Of The Switch' than 'Electric' and 'Sonic Temple'.  I doubt there's one person reading this who owns 'Call To Arms' and that's how it should remain.  When an individual has to boast about being a rock renegade who refuses any part of the evil corporate music empire, bucking trends and whatnot, you know he's a fraud.  A real man wouldn't have to say it.  He'd just do it.

Song summaries include...

  1. Call To Arms - Boetz somehow roped in Lemmy for guest vocals, all it took was a bottle of gin and a fiver I'm sure.  Boetz sounds like an Ian Astbury clone, as does the whole track, imitating The Cult as I strive to point out once again.  Crap lyrics everywhere, 'rock and roll soldiers who know the way, ready for total war, it's the only way'.  D
  2. Greenback Crack - 'I'm the ace in the hole, in your face rock 'n' roll, got your back, blow your stack, greenback crack'.  Trying too hard to be an outlaw Boetz!  Laboured riffs with no power or melody, this dude doesn't have it.  D
  3. Weak At The Knees - Boetz utilizes the same riff for the third consecutive track, which means an automatic D.  D
  4. Rock 'N' Roll Is Good - Boetz rips off the Stones' 'It's Only Rock And Roll' complete with Coverdale like vocals, only he has the same charm as Billy Milano.  What a derivative bastard this Boetz is.  He assumes he's gaining respect for being an unabashed rocker, but without any traces of any unique traits, he's as pathetic as Mustaine.  D-
  5. Shinin'- This Cult loving turkey might as well have produced a tribute album to those boring losers as it isn't comparable to anyone except them.  Horrendous and so dull I can feel the life being drained from me.  F
  6. Getting Over You - Now the man tries a slow raunchy blues rocker, a stunning twist of events.  D
  7. Oh Boy - A cover of the fifties rock 'n' roll classic, which fails opposed to the crudeness and energy of the original.  F
  8. Don't Mean A Thing - This album is as bland as unoriginal as Further Lo.  I keep making spelling mistakes as I can't get the words out fast enough to demean it.  The Who are in their sixties and producing material which makes this look like the tenth rate, disgusting rock it masquerades as.  You can tell just by looking at the photos of Boetz he fancies himself as a bit of a tough guy, with his Triumph motorcycle and exposed leather vest chest.  D
  9. Wish - Limp wristed, near ballad nonsense.  AC/DC would never do that.  This album is three years old.  It doesn't look like a new one is on the horizon.  D
  10. Almost To Scotland - How's this for garbage - 'headed for the home of Young, Young and Scott'.  If you're such a disciple pal do us a favour and rip them off competently to make this listenable.  He tries his hand at a bit of saucy songwriting - 'she found my dirk blade under my kilt, swallowed my claymore up to the hilt'.  I'm laughing, only at how pathetic it is.  f anyone's interested Kicked In The Face is running a competition in which the winner will receive a trio of CD's, including M.O.D. 'The Rebel You Love To Hate', Further Lo 'Further Lo' and Boetz 'Call To Arms'.  To enter just send me a photo of your asshole.  F 

Horatio's Rating:  F